Sergei Eisenstein

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On Disney [Sergei Eisenstein, Jay Leyda, Alan Upchurch] on Amazon.com. *FREE* shipping on qualifying offers. Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era

On January 23, 1998, the Bank of Russia issued a pair of two-rouble coins commemorating the 100th anniversary of Eisenstein’s birth. 15,000 of each coin were minted; the obverse side of each coin depicts a two-headed eagle, the BANK OF RUSSIA inscription, the denomination of the coin, and its year of minting.

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This double bluray set includes "The Battleship Potemkin" and "Strike" at a cheaper price than buying " Battleship Potemkin" alone.Orson Wells was influenced by these movies and "Citizen Kane" has many "ideas" redone for it’s visuals.Sergei Eisenstein was a true artist and really has influenced many directors style.If you like German impressionisic early cinema,you’ll love this.If you are a.

Sergei Eisenstein was born into an upper-middle-class family in Riga in 1898. His father, Mikhail Osipovich Eisenstein, was an architect and his mother, Julia Ivanovna Konetskaya, was the daughter of a successful merchant. Moving between Riga, St Petersburg, Moscow and Paris and educated both at.

Sergei Eisenstein: Who was the legendary Soviet film director who made Battleship Potemkin? Today’s Google Doodle hails a master filmmaker who brought Russian history to life

Sergei Eisenstein, the filmmaker known as the father of montage, is honored with a Google Doodle.

Strike (Russian: , translit. Stachka) is a 1925 silent film made in the Soviet Union by Sergei Eisenstein.It was Eisenstein’s first full-length feature film, and he would go on to make The Battleship Potemkin later that year. It was acted by the Proletcult Theatre, and composed of six parts.

Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing (montage is French for "assembly" or "editing"). It is the principal contribution of Soviet film theorists to global cinema, and brought formalism to bear on filmmaking .